

Come see new work by seven Public Glass warm glass artists. This
exhibition features a great variety of art works, tableware and functional
objects created using kiln-forming and other techniques. Celebrate at
the opening with tasty food and wine, good friends, a live glass demo,
and music by Django Obscura. Featuring work by: Herb Dang, Krista Lohr
+ Anne Hughes, Kristina Barnes, Susanne Jette Khawand, Renee Anderson,
Katherine Bellevin and Kevin Gibbs. (see artist bios and more info below) |
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Kristina Barnes
Kristina is passionate about all forms of glass. If there is a glass object nearby, she'll take the long way around just to get an up-close look. Most of Kristina's inspiration come from looking at everyday items and asking, "how could that be interpreted in glass?" Her goal is to create pieces that incorporate various forms of glass, and of course, experimentation is always a big part in her work. Kristina's passion for glass continues to grow the more she learns. She plans on enjoying a lifetime of glasswork ahead of her, and hopes that someday, it's all she'll do. | ||
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Renee Anderson
I am an admitted dabbler in the arts, working across the landscape of 2-d mediums but with very little success in any of them holding my attention for long. I suppose one of my problems was my perceived need to control the medium I work in. I am a trained graphic designer, a very controlled (and controlling) mechanism for communication which can be very hard to break out of: it's very hard for me to be loose. Along came glass, I'm not really sure how it found me, but through it I've finally been able to give up some of that control, or actually, I've been forced to give it up. It's taken some time and some of frustration, but I've grown to respect that glass mostly does what it wants to do, and no matter what I envision and no matter how careful I am with the medium, it still misbehaves a little. I love the happy accidents. I love the unhappy accidents. I love that I am constantly surprised. So while I'm still pretty uptight in how and what I want to communicate, I've succumbed that glass goes ahead with its own multilingual interpretations of my intentions, without my permission, and that this is both good for me and for the glass. | ||
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Susanne Khawand www.skglassdesign.com
"If simplicity is the art of taking away the unnecessary so that only beauty remains, I am a true believer in the axiom that less is more. For me, the proper conduction of colors and shapes is an emotional expression." Susanne Khawand has always been attracted by the process of "creation" but never knew what exciting journey is waiting for her in the fascinating world of creating art. At the age of seventeen, she moved to Stuttgart and discovered her appreciation for art. Artists shown in the Staatsgallerie Stuttgart such as Oskar Schlemmer, Max Beckmann, and Alberto Giacometti are some of her early fascinations followed by Bauhaus and the "Der Blaue Reiter" (The Blue Rider) artist group. Susanne learned working in various media such as ceramics, charcoal paint, photography, black and white development, and film making and it took her several detours before arriving at her true passion: fused glass. Upon graduating from college, Susanne became a registered nurse, then a film and video producer, and finally, a marketing communications consultant for technology companies which brought her to the United States in 2001. In 2004, she found fused glass — and it became her passion. Today, Susanne lives in San Francisco and does her glass work at Public Glass Studio. | ||
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Herb Dang http://homepage.mac.com/herbatlarge
What I expect from my creations is:
I produce art that is functional, usable everyday, wearable and that brings beauty into our everyday life. I play with glass and metal to get texture, color, and surprise. One of my greatest satisfactions is to visualize an object, make it, and have it be a surprise in finished form. Embrace Change-Make Art-Play with Fire | ||
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Katherine Bellevin http://www.lumenade.com
My glasswork is primarily concerned with color and light, and how these factors can bring out the unique properties of the glass. I am still very much exploring glass, discovering what it can do and how it can express my feelings about beauty and life. My prior work in stained glass helps me appreciate for how light can bring a depth and excitement to glasswork. I prefer intense, saturated colors, and I hope to construct objects that maximize the shine and luminescence of the glass. | ||
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Krista Lohr and Anne Huges
Krista Lohr and Anne Huges share a love of scavenging in junk yards. They both have a long and checkered history in arts, crafts and construction. A serendipitous find of fabulous glass at a salvage yard led to this collaboration of working with fused glass. They use recycled glass and recycled building materials for construction of their pieces. Patterns are created using glass enamels, frits and copper and brass inclusions. | ||
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